Funktioner
Arbejdsområder på SDMK
Klassisk sang
Kunstnerisk praksis
Kunstnerisk praksis
(Henriette Bonde-Hansen completed her vocal studies at the Royal Conservatory of Music (1991) and at the Opera Academy in Copenhagen (1993) Further studies with professor Jenö Sipos, Budapest (1993-1995) Bel canto technique with Robert Kettelson, Milano (1999 – 2006) Continuing education classes in Vocal Theory, Vocal Diagnosis at Royal Danish Academy of Music, 2016)
SOLO CAREER - OPERA REPERTOIRE
Henriette Bonde-Hansen has sung a diverse opera repertoire. Her many interpretations include Gilda (Rigoletto - Det Kgl.Teater, Den Jyske Opera, Opera North), Pamina (Die Zauberflöte - Opéra du Capitole Toulouse), Juliette (Romeo et Juliette - Opéra du Rhin Strasbourg), Ilia (Idomeneo - Det Kgl. Teater, Opéra National Bordeaux, Thaikovsky Concert Hall Moscow), Susanna, (Le nozze di Figaro - Opéra La Monnaie Brussels, Opéra du Rhin Strasbourg, Det Kgl. Teater, Opéra National Bordeaux), Contessa (Nozze di Figaro – Den Ny Opera Esbjerg), Celia (Lucio Silla - Nederlandse Opera Amsterdam), Zdenka (Arabella - Opéra du Rhin Strasbourg and Opéra de Nancy et Lorraine), Sophie (Rosenkavalier - Staatsoper Stuttgart and Det Kgl.Teater, Scottish Opera and Edinbough Festival), Fiordiligi (Cosi fan tutte - Opéra du Rhin Strassbourg, Théatre Municipal de Colmar), Angelica (Orlando - Opéra de Lille, Opéra du Dijon, Théatre des Champs-Elysées), Angelica (Orlando Paladino - Concertgebouw), Marzelline (Fidelio - Théatre Chatelet), Adina (L’elisir d’amore - Canadian Opera, Teatro Municipal Santiago Chile), Arminda (La finta Giardiniera - Opéra La Monnaie Brussels), Zaiide (Zaiide - Opéra du Rhin Strasbourg, Opéra La Monnaie Brussels), Zerlina (Don Giovanni – Det Kgl. Teater), Valencienne (Die lustige Witve - Palais Garnier Paris), Marionette, Rosaura (La vedova scaltra - Opéra National de Montpellier, Opéra de Nice), Nannetta (Falstaff - Det Kgl. Teater), Lucia (Lucia di Lammermoor - Den Jyske Opera, Theatre Vanemuine Tartu,
Estonian National Opera, The Norwegian Opera & Ballet), Melisande (Pelleas et Melisande - Den Jyske Opera, Concertgebouw Amsterdam, Thaikovsky Concert Hall, Moscow), Frasquita, (Carmen - Opéra National de Paris Bastille), Dircée (Medée - Teater an der Wien), Fiorilla (Il turco in Italia - Det Kgl.Teater), Adalgisa (Norma – Danish National Radio Sumphony Orchestra), Semiramide (Semiramide - Det Kgl. Teater), Corinna, Madama Cortese (Il viaggio a Reims - Canadian Opera, Det Kgl. Teater), Margherite (Les Huguenots - Opéra La
Monnaie Brussels), Elvira (I Puritani - Den Jyske Opera), Donna Anna (Don Giovanni - Thaikovsky Concert Hall, Moscow), Theodora (Theodora - Thaikovsky Concert Hall, Moscow).
SOLO CAREER - CONCERT
HBH also excels in the concert repertoire with invitations from leading international orchestras such as the NHK Symphony Orchestra Tokyo (Beethoven 9th) the Academy of St. Martin in the Fields (Mozart c-minor mass, Orchestra di Santa Cecilia (Beethoven Mass in C-major), Orchestra Sinfonica di Milano (Brahms Requiem), Oslo Philharmonic Orchestra (Carl Nielsen 3rd Symphony Espansiva, Poulenc Gloria, B-minor Mass), Bergen Filharmoniske Orkester (Bach B-minor Mass, Haydn Die Schöpfung, Mahler 4th, Mahler 8th., Mozart Concert Arias), Malmö Synphony Orchestra (Messiah, Mahler 4th.), Trondheim Symphony Orchestra (Massenet Werther), Helsinki Philharmonic Orchestra (Opera Galla), Orchestra Philharmonique de Radio France (Fauré Requiem, Bizet Ivan IV, Cimarosa Gli Orazi e I Curiazi), Gewandhausorkester Leipzig (Beethoven 9th ), Koninklijk Concertgebouworkest (St. John Passionj), Real Orquesta Sinfonica de Sevilla (Dutilleux Correspondences), Orquesta Sinfónica de Galicia (Beethoven Fidelio), Orquesta Sinfónica de Tenerife (Mahler 4.th), Orquesta Filarmónica de Gran Canaria (Mahler 4th, La clemenza di Tito),The Moscow State Philharmonic (Idomeneo, Don Giovanni, Pelleas et Melisande, Theodora), Concert d’Astrée (Händel Orlando), Concerto Köln (Bach Kantatas), The Nederlands Chamber Philharmonic (Il re pastore, Des Knaben Wunderhorn), Cremerata Baltica (Haydn Scena di Berenice), Moscow Chamber Orchestra, Bolshoi (Opera Galla), Orchestra National de Bordeaux (Mahler 2nd.), Orchestra National de Lyon (Mendelsohn Lobgesang), Orchestra National de Montpellier (Brahms Requiem), Kungliga Filharmonikerne Stockholm (Fauré Requiem, Dutilleux Correspondances), Helsingborg Symphony Orchestra (Mendelsohn Elijah), Orquestra de Sao Paulo (Richard Strauss songs), Resident Orkest Den Haag (Haydn Die Schöpfung, Canteloupe Chanson d’Auverne), Combattimento Consort Amsterdam (St. Matthew Passion, St John Passion), Vlaamse Opera Gent (Poulenc Stabat Mater and Gloria), Wroclaw Philharmonic (Meyerbeer Robert le Diable), Vanemuine Symphony Orchestra (Rossini Petite Messe Solennelle), the Danish National Radio Symphony Orchestra (Bach Weinachts Oratorium, Haydn Die Schöpfung, Poulenc Stabat Mater, Mozart Requiem, Mozart C-minor Mass, Mozart Concert Arias, Carmina Burana, Carmina Catulli, Mahler 4th, Mahler 8th, Dutilleux Correspondances), Danish Radio Sinfonietta (Mozart Requiem, The Magic Flute, Exultate Jubilate, Krönungsmesse, Lucio Silla, Mitridate, Il re pastore, Ideomeneo), Copenhagen Phil (Mozart C-minor Mass, Górecki 3rd Symphony, Richard Strauss Vier leztze Lieder), Odense Symphony Orchestra (Steingrimur Rohloff War Requiem), Aarhus Symphony Orchestra (Ernest Chausson Poeme de l’amour et de la mer, L’enfance du Christ, Berlioz Nuits d’été, Britten Les Illuminations)
LIEDER and CHAMBER MUSIC
HBH has sung numerous recitals and chamber music concerts at Hirshsprungs Samling, Mogens Dahl Koncertsal, Mushashio Cultural Foundation Tokyo, Klassiske Dage Holstebro, Vejle Musikteater, Frederiksborg Slot, Trommen Hørsholm, Frederiksdal Slot, Nyborg Slot Svendborg Musikforening, Odd Fellow Palæet and others.
1999-2002 Chamber music for voice, piano and flute with Amalie Malling, piano
and Janne Thomsen, flute.
1999-2005 performed with Den Danske Blæseroktet.
2002- Recitals with Amalie Malling, piano.
CONDUCTORS AND SINGERS
HBH has worked with conductors such as Riccardo Chailly, Myung-Whun Chung, Fabio Luisi, Sir Neville Marriner, Antonio Pappano, Serge Baudo, Philippe Herreweghe, Marc Minkowski, James Conlon, Adam Fisher, Leif Segerstam, ClausPeter Flor, Michael Boder, Marc Soustrot, Neeme Jervi, Paavo Jervi, Manfred Honeck, Emmauelle Haïm, Patrick Fournillier, John Nelson, Ralf Weikert, Marcello Viotti, Armin Jordan, Marec Janowski, Kazushi Ono, Alessandro de Marchi, Paul Daniel, Michael Schönwandt, Peter Schreier, Jan Willem de Vriend, Thomas Søndergård, Giordano Bellincampi, Giancarlo Andretta, Enrique Mazzola, Robin Ticciati, Paolo Montanari, Dalia Stasevska and has shared the stage with many prominent singers such as Samuel Ramey, Matti Salminen, Jose Cura, Olga Borodina, Karita Mattila, Cheril Studer, Bernarda Fink, Bo Skovhus, Brigitte Fassbaender, Nathalie Stutzmann, Nathan Gun, Joan Rodgers, Carol Vaness, Ferruccio Furlanetto, Ben Hepner, Alessandro Corbelli, Michael Volle, Francisco Araiza, Ramon Vargas, José van Dam, Gösta Winberg, Inga Nielsen, Natalie Dessay, Sandrine Piau, Beatrice Uria-Monzon, Placido Domingo, Jan- Hendrik Rootering, Christian Gerhaher, Peter Mattei, Ludovic Tezier, Neil Shicoff and Tim Meed among others.
CD PRODUCTIONS
Henriette Bonde-Hansen has an extensive recording catalogue that includes Lieder by Frederick Delius with Aarhus Symphony Orchestra. Danish Masterworks vol 1, Norwegian Masterworks vol II, French Masterworks vol III, English Masterworks vol IV, American Masterworks vol V. conducted by Bo Holten.
George Bizet’s ”Ivan IV” released by Orchestra de Radio France (la jeune
Bulgare).
Four Opera Seria by Mozart, recorded with the Danish Radio Sinfonietta conducted by Adam Fisher (Lucio Silla, Mitridate, Il re pastore and Idomeneo).
Ermanno Wolf-Ferrari’s ”La vedova scaltra” with Orchestra National de Montpellier and Enrique Mazzola, in the role of Marionette.
Other recordings include Beethoven’s Egtmond Musik with The Swedish Chamber Orchestra and Thomas Dausgaard, ”Holger Danske” and ”Liden Kirsten” with Danish National Radio Symphony Orchestra, Dacapo.
Salome (A slave) Danish National Radio Symphony Orchestra, Chandos.
Carl Nielsen “Maskarade”, Danish National Radio Symphony Orchestra and Ulf Schirmer, Decca.
Franz Liszt ”Christus”, Stuttgart Radio Symphony and Bach Academie, Helmut Rilling.
August Enna’s ”Den lille pige med svovlstikkerne” with The Danish Radio Sinfonietta and Roman Zeilinger.
Songs by Poul Schierbeck, Dacapo.
Songs by Carl Nielsen, Odense Symphony Orchestra.
AWARDS, PRIZES
Through out her career, Henriette Bonde-Hansen has been awarded numerous prizes, among which include: Musikanmelderringens Kunstnerpris (1995), Aksel Schiøtz Prisen (1996), Franco Prisen (1998), Elisabeth Don’s Mindelegat (1999), Hørsholm Kulturpris (2001), Axel og Magda Fuhrs Legat (2003), Carl Nielsen and Anne Marie Carl Nielsens Prize of Honour (2013) Nominated “Singer of the year” for her interpretation of Semiramide (Semiramide)2013
Awarded the Reumert Prisen ”Singer of the Year” for her interpretation of Lucia (Lucia di Lammermoor) 2014
Reumert nominated ”Singer of the year” for her interpretation of Elvira (I Puritani) 2017
Nominated “Singer of the year” for her interpretation of Górecki’s Symphony of Sorrowfull Songs, with Copehagen Phil and Giordano Bellincampi, 2024
Links
https://www.youtube.com/watch?v=yFb5vciVblI
https://www.youtube.com/watch?v=TTYhjgGlHuY
https://www.youtube.com/watch?v=HdxNJIEcPLE
International Reviews
”……..HBH was a real revelation as Aminta…….”
(Trouw, Amsterdam 2004)
”HBH erfüllte die Mélisande mit ihrem wunderschönen Sopran, der jugendlich leicht klingt, die nötige durchsetzungsfähige Tiefe und ein unverwechselbares frauliches Timbra hat…….”
(Das Opernglas, 2004)
”…….HBH incarne une Pamina toute de grace et d’ emotion, au chant subtil. La musicalité du chant est instrumentale et puissamment expressive……. Une qualité remarquable”
(La Dépeche, 2007)
”HBH met haar Bartoli-achtige straalkracht in de coloraturen en ruime, heldere stem…….. HBH overtuigde enorm in haar supervirtuoze arias”
(Trouw, Amsterdam 2009)
HBH, grande e élégante, fait entendre un timbre rond qui sied parfaitement au role de la noble Angelica. La soprano danoise fait preuve d’une solide technique alliée a une grande musicalité……
(Forumopera, 2010)
”Aftenen står i HBH’s skønne tegn. Hun synger Lucia stående, liggende, døende og hun gør det med en klang så ædel…… ”
(Politiken, 2014)
”Il soprano danese HBH sicura nelle colorature di Bellini (I Puritani) e bravissima in scena…..” (LaVoce, 2016)
“HBH traff en nerve i galskabet. Hendes spektakulært intime og lyriske tolkning av denne milelange og teknisk krevende passasjen var alene verdt en tur i Operaen….”
(Morgenbladet Oslo, 2018)
”Sensational as Theodora……”
(Moscow, 2021)
Uddannelsesbaggrund
Diplomeksamen fra Det Kgl. Danske Musikkonservatorium (1991) Opera akademiet, Det Kgl. Teater (1993). Videre studier i Budapest hos professor Jenö Sipos (1993-1995). Videre studier i Milano hos Robert Kettelson (1999-2006)